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“Everybody Street illuminates the lives and work of New York’s iconic street photographers and the incomparable city that has inspired them for decades. The documentary pays tribute to the spirit of street photography through a cinematic exploration of New York City, and captures the visceral rush, singular perseverance and at times immediate danger customary to these artists. Covering nine decades of street photography, “Everybody Street” explores the careers and influences of many notable photographers––a number of whom have never been documented, featuring: Bruce Davidson, Elliott Erwitt, Jill Freedman, Bruce Gilden, Joel Meyerowitz, Rebecca Lepkoff, Mary Ellen Mark, Jeff Mermelstein, Clayton Patterson, Ricky Powell, Jamel Shabazz, Martha Cooper, and Boogie, with historians Max Kozloff and Luc Sante."
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bruce glidenBruce Gilden grow up in Brooklyn with a tough guy exterior of a dad for most of his life bruce spent on the streets he would mostly call it his second home but Bruce's first major project was about coney island, but were he was bought up in Brooklyn his not afraid to go up close, get in peoples faces and not be scared.
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cropping
1. cropping is when a street photographer without editing crops the rest of the image out and lock on something to take
2. when cropping the photographer usually focuses on a image and uses depth of field
3. some street photographers used black border lines
4. sometimes when cropping an image it can make and image look distort or unorganised but this can also make the photo look better
5. cropping can also affect an image in an better way to make the element of surprise better because others about could pose when you just want a Cretan image
1. cropping is when a street photographer without editing crops the rest of the image out and lock on something to take
2. when cropping the photographer usually focuses on a image and uses depth of field
3. some street photographers used black border lines
4. sometimes when cropping an image it can make and image look distort or unorganised but this can also make the photo look better
5. cropping can also affect an image in an better way to make the element of surprise better because others about could pose when you just want a Cretan image
For are next task we watched some of a street photography film we also filled out a sheet on the film but had to write it like the street photographers were us then we went out and took some pictures and had to be independent and normal people doing normal day to day things but we tried to capture them in a way were it looks normal but a tiny little thing that looks different would change the hole consept of the image.
I like this photo because its normal nothing popping out of no where even thou that makes a photo good but even the simplest things can make something pop out like this photo it stands out to me because it captures a normal working day in the office, and it also has a reflection.
trianglesSome photographers use triangles as a form of framing to make the photo look more contrast this adds balance and shows angles in there pictures this also shows composition triangles are the best composition techniques as well as showing this it adds movement so the photo is not in a line.
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The images i have looked at here i think there re some triangles one of them were the two couples are standing on the bridge and the Eifell tower in the back round i see the triangle between the two ladies closest to each others heads and the Eifell tower top point in the back round.
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HARRY CALLAHANWhat i enjoy about Harry callahans work is the reflections to me reflections are like an entry to a different place, but the way Harry calahan dose it makes it look like its a completely different photo or he can make an image over lap and still look like a hole different setting but in the same photo like in picture three & four.
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william egglestonWilliam eggleston was born in 1939 in Memphis, Tennessee USA his first camera was a cannon rangefinder in 1958 William got his first leica, in 1956 he started to experiment with colour negative film in 1972 he done his first dye transfer print in greenwood moose lodge in 1976 The Museum of Modern Art exhibits work in first solo exhibition of color photographs "William eggleston" and was put in rolling stone magazine
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I like this photo from William eggelston because in the photo he is trying to take this photo in secrete but at the last second the man turned round and is in shock of the man taking the photo but the way his eyes are open wide and his face ha dropped you can tell by the mans face he is in guilt for doing something he shouldn't
image one
my opinion this photo isn't one of the rule of thirds because when i look at this photo i can see the whole image not just focused on side or the foreground or background to me this photo is not one of the rule of thirds. The composition of this photo is central it looks abandoned its quite bare as well. And one thing i like about this photo is the lines within the photo
image two
my opinion on this photo is that you can tell that this photo isn't one of the rule thirds because the photo is central the picture captures the many part of the image because a part of the main part is every where and like my other photo the composition is very central